Author Archives: Amber Lea Starfire

Happy New Year! Get Ready For Your Best Writing Year Yet! – Part 1

Happy New Year! Get Ready For Your Best Writing Year Yet! – Part 1 17


“There is only one thing that makes a dream impossible to achieve: the fear of failure.” 
 Paulo Coelho, The Alchemist

 

WHAT DO YOU DREAM OF being or achieving in your writing life? As the calendar flips to a new year, are you looking forward to new opportunities to bring those dreams to life?

Movies and fairytales aside, we know that dreams aren’t fulfilled by wishing upon them. If you want to achieve your dreams, you must do more than dream. You must set the full focus of your will — your intention — on what you want, and then you must act. Put another way, you can only arrive at your desired destination if you pack your bags and get on the road.

Today, I’d like to invite you to think about where you want to go and how you will get there. No matter the level or extent of your writing desire — from wanting to establish a journaling or creative writing practice to finishing that memoir or novel you’ve been working on — it’s all doable. And I can show you how.

To that end, over the next few posts I’m going to share with you what I do each year to set and accomplish my goals — and why my process works. I use these steps to set goals for all areas of my life, including writing/publishing, spiritual, relationship, emotional, physical/health, and financial. And I achieved 95% of my personal and professional goals this last year.

For this series, I’m going to focus on only one area: writing/publishing. You may choose to separate writing and publishing into two separate goal areas. For me, these tend to blend together, so I think of them as one.

You’ll need to arrange a quiet place and time to work through the following exercises. The time needed will vary, but I would give myself at least an hour to start. And you don’t need to do this all at once — you can take several sessions.

Ready? Let’s get started . . .

(1)

Set your overarching intention (focus) for the year.

Our goals do not live in a bubble of their own, outside the totality of our lives. If we want to grow in any area of our lives, we need to understand what we want most and who we want to Be in the world. So before forming goals for any area of your life, get out your journal and freewrite your answers to the following questions:

  • What quality to I want to infuse into my life and into all my decisions this year?
  • What quality do I need most in my life at this time?

Once you have written about what you want in your life, choose the quality that resonates most for you and distill that quality into one word.

This word will be your guiding principle, your focus of intention for the year.

Last year, my guiding principle was “balance.” I wanted (and needed) more balance between the personal and professional areas in my life. Keeping my focus on balance all year helped me make important decisions along the way, including what to keep and what to let go of doing. It gave me permission to take better care of myself and my relationships.

This year, my overarching focus is “perspective,” which is about seeing the bigger picture and seeing things from different angles, as if from an eagle’s point of view.

(2)

Write down your “big rock” goal.

You’ve probably heard of the “big rocks” concept, made famous by Stephen R. Cover, author of The Seven Habits of Highly Effective People. The idea is that your life is like a glass jar that you fill up with all of your daily tasks, both important and routine. The important tasks are your “big rocks” and the routine, less important tasks are like pebbles. If you fill your jar with pebbles, you won’t have any room for your big rocks. But if you place your big rocks in the jar first, then you’ll be able to fill in the spaces with the pebbles.

At the top of a new journal page, write your answer to the following question:

If I could achieve just ONE thing in my writing life this year, what would it be?

What would be the one thing you would feel happy achieving as a writer, even if you accomplished nothing else?

Be specific. “Writing more” is not a goal — it’s a wish. In order for a goal to have power, it must be SMART, which is an acronym for the following characteristics: Specific, Measurable, Actionable, Rewarding, and Time-dependent (or Trackable).

Goals can include either accomplishing something or establishing desired habits. I will give examples of both types of goals as I explain each aspect of a SMART goal.

In order to be SMART, your goal must answer the following questions:

  • What, specifically do I want to accomplish? OR What habit do I want to establish?

    Achievement goal: Last year, the What of my “big rock” goal was to “complete my second memoir, Accidental Jesus Freak,” which I’d already been working on for a year and a half. Your goal might be to “write three personal essays” or “publish two short stories,” or “write 30,000 words.” Do you see how specific your goal needs to be?

    Habit goal: But what if you don’t have an achievement type of goal like those I’ve just described? What if you really just want to write more often? This type of goal — establishing a habit — is just as valid as an achievement goal. And it also needs to be stated in a very specific way. In this case, the What is, simply, “to write.”
  • When do I want to accomplish it by? OR How often do I want to do this habit?

    Achievement goal: The When for my memoir was “by December 31st.” Yours could be “by June 30th” or any other date you choose.

    Habit goal: Using the example above, I might want to write “a minimum of 30 minutes per day, 5 days per week,” or “5 minutes per day, 7 days per week.” Again, do you see how adding this level of specificity helps to define exactly what you will do?
  • How will I know when my goal is complete?

    Achievement goal: You need to define what constitutes “done.” I defined completion of my memoir as when it had been edited, proofread, and was ready for print and ebook formatting.

    Habit goal: In the case of a habit goal, define when you will consider the habit as integrated into your life. So, for my writing habit, I might define it as: When I have consistently written 30 minutes per day, 5 days per week, for six months, I will consider that I have established this habit.”

“The starting point of all achievement is DESIRE. Keep this constantly in mind. Weak desire brings weak results, just as a small fire makes a small amount of heat.”   Napoleon Hill, Think and Grow Rich

  • Why do I want to achieve this goal?

Your Why, your motivation for wanting to accomplish this goal is SUPER important. Without strong motivation, you will not achieve your goal.

My Why for writing Accidental Jesus Freak included the following:

– I want to feel proud of myself for having completed this second book.

– I want to reveal the deeper, inner truth of my journey, discover its universality and what it has to teach me and others

– I want to have it ready for launch in March of 2018

What are your Whys? Write them down below your What, When, and How statements.

  • How will my focus of intention help me to achieve my goal?

    This question might be a little harder to answer, as our goals don’t always have an easy correlation to our broader focus of intention. In my case, focusing on balance helped me stay the course on my one big writing goal for the year. I had other goals, but focusing on balance helped me to adjust my activities throughout the year and still accomplish what needed to be done.

    If you’re having difficult answering this question, set a timer for 10 minutes and freewrite, starting with the following fill-in-the-blanks prompt: “My focus of intention on __________ will help me accomplish my goal of ___________ by ____________.

 

This is the first of a 12-part series on writing goals and productivity. In Part 2 of Get Ready for Your Best Writing Year! We will cover how to establish your goal’s action plan as well as how to keep your goal visible and in front of you on a regular basis.


Amber Starfire offers coaching, classes, and books about writing at writingthroughlife.com

From Memories to Memoirs, Part 8 — Balancing Story and Reflection

This is the eighth in a series on moving from memories to memoirs. Click here to read Memories to Memoirs, Part 7.

What could be simpler to understand than the act of people writing about what they know best, their own lives? But this apparently simple act is anything but simple, for the writer becomes, in the act of writing, both the observing subject and the object of investigation, remembrance, and contemplation.

Sidonie Smith and Julia WatsonReading Autobiography: A Guide for Interpreting Life Narratives

If you’ve been following this 10-part journey from transforming memories into memoirs, you’ll have traveled from defining memoir and truth in memoir to triggering memories and learning how to write about them in ways that will move your readers. So far we’ve focused on the telling of events through scene, and you may have written a number of scenes using the tips and techniques recommended in this series. If we were writing fiction, scenes would be enough.

A novel moves from scene to scene, action to action (even if that action happens only in the mind of one of the characters). But a memoir contains another element — reflection — the writer’s observations, beliefs, meditations, and musings about what happened. In memoir, you paint your understanding of events.

As the quote at the beginning of this article implies, memoir, for the writer, is really a journey of investigation, an attempt to make meaning of and reconcile with life events and their purposes in her life. That process of investigation — the journey of the writing itself — must be transparent to your readers. After all, they too want to understand.

In memoir reflection can appear in many places and forms: sometimes it occurs in snippets in the voice of the narrator in time (the younger self in the middle of the experience); sometimes it takes up paragraphs as the narrator discusses his current understanding of what happened; and sometimes it is presented within scene, within dialogue and gestures, though this is less common than the first two.

For example, in my memoir, Not the Mother I Remember, I reflect both on my own experiences and my mother’s as revealed in her journals and letters. For example, in the chapter, “A Man’s World,” I write:

Everywhere we went my mother was the only woman traveling alone with children and without the protection of a man. I knew we stood out for this reason, but I was too young to understand my mother’s fears, how difficult it was to navigate the language barrier in each new country, or how concerned about money she was.

This passage highlights how my perceptions of events as an adult can reveal aspects of an experience I was unaware of as a child.

Here’s another example from Maya Angelou’s Even the Stars Look Lonesome. In this excerpt, she writes of moving to North Carolina after her divorce and buying a house in which to live. She reflects upon the healing that occurs in the shift from living in a house to living in a home.

This is no longer my house, it is my home. And because it is my home, I have not only found myself healed of the pain of a broken love affair, but discovered that when something I have written does not turn out as I had hoped, I am not hurt so badly.

~ TRY THIS ~

  1. Take out one of the memoir scenes you have written.
  2. In your journal, answer the following questions, as well as any new ones that arise while you are journaling.
    1. How did this event change me and influence who I have become?
    2. How has my understanding of this event changed between when it happened and now?
    3. Why did it happen?
    4. What lessons did I learn, if any, from what happened?
    5. If I could go back in time, what would I do differently?
  3. Incorporate some of your reflection into what you have written. You can incorporate it into the scene directly, using sentence starters such as “Looking back …” or “If I had known …”  Or you can write a separate paragraph including your thoughts about the event.
  4. Only incorporate reflection that illuminates meaning not already evident in the scene.
  5. Keep your reflections short and to the point. Too much reflection can feel like a lecture and bore your readers.
    Join the conversation.

Finally, please leave a comment sharing your challenges and discoveries about including reflection in your writing.


Photo Credit: h.koppdelaney via Compfight cc
Reprinted by permission from Amber Starfire